Matte is the New Black

Last weekend, as I tended to my newest market offering’s complex fluidic thermodynamic power systems in the wee hours of the morning, I flipped on the tube and watched more than a few laps of the 24 Hours of Daytona.

Speedsource_daytona_2008

A Mazda RX-8 (pictured above) won its class, beating out a gaggle of Porsche 911’s for the honor.  In no sense a stock car (see the video at the end of this post for a walkaround this full tube-framed racer), this RX-8 nonetheless points to the future of car design for us civilians: look closely and you’ll notice that the paint isn’t glossy.  Instead, the luscious carbon fiber panels on this machine are matte black, or satin if you will.  Wax not needed or desired.

We’ve been raised to believe that gloss is good, that shiny equals quality.  Those days are over.  Hear this now: the cult of the waxed car body is melting, and this RX-8 represents the tipping point.  Sure, beating the 911’s at Daytona is a win for the ages, but sporting a matte finish and finishing first — that’s a tipping point.  If manufacturing and repair (how do you buff out a matte finish?) issues can be solved, I think we’ll start to see a lot of matte paint jobs rolling around.  And a lot of them will likely be dirt-shedding nano particle finishes.  Even cooler.  We’ve already see matte paint on show cars from BMW and Lamborghini. 

Matte is the New Black.

Here’s a video of the Daytona-winning RX-8 from the driver’s seat (oh, the wail of a rotary motor!):

And here’s an extra treat in the form of a most gnarly walkaround the car in the presence of race Nick Ham.  Check out the paint (shown to best effect toward the end of the video):

Jolie-Laide

L8

The Kellison J-4R

Beautiful can be so… boring.  The great thing about race cars is that, since style is not a primary design objective, they tend to fall at either end of an aesthetic bell curve: either they’re so gorgeous that no styled object can match their state of perfection (think Ferrari GTO or SR-71), or their ugliness is so extreme that from it rises another kind of beauty, one characterized by exceptions to all norms of classical beautiful (think Panoz Esperante or the first-gen BMW M Coupe).  In other words, they are jolie-laide, ugly-beautiful.

There’s so much going on with this Kellison.  It’s the Gerard Depardieu of automobiles.  For example, check out the squashed roof and the bulbous behind below it.  Driving this car would be like living in a flat with low ceilings and one too many overstuffed leather couches from American Furniture Warehouse.  Or like walking around the set of Being John Malkovich:

L6

Looking inside, the lack of workmanship is compelling.  Lexus?  Flawless fit and finish?  What is that?  Forget about tight panel fits or unbroken surfaces, this thing is all about undulations and unresolved lines and sharp corners that might make you go "ouch":

L35

And that aircleaner, standing proud of the hood like the conning tower on a WWII sub floating somewhere in the Pacific.  It’s just there.  Standing free and proud, utterly oblivious to all the streamlining floating around it:

L12

Why be beautiful when you could be interesting?

For the adventurous (and masochistic) among you, this particular J-4R is for sale at Fantasy Junction (where these photos were sourced).  Props to the upstanding lads at Bring a Trailer for pointing it out.

Director’s Commentary: John Maeda

A wonderful Director’s Commentary by by the ever delightful Professor John Maeda on the topics of design, technology, business, and life through the lens of simplicity.  See how understanding why we want to finish a big cookie, but not a big pile of laundry, is key to using the principles of simplicity in your work and life.

His book on simplicity, by the way, continues to be one of my all-time favorite points of inspiration.

Unabashed Gearhead Gnarlyness

Technology

The Jawbone Noise Shield Bluetooth Headset.

I really like mine.  The design of the component parts is very well done and everything fits together very nicely — snick snick, snick snick.  I do feel like a dork wearing it, and vaguely antisocial at that, but I suppose that may change over time as more people wear these things. 

What’s absolutely stunning  — and what makes this device worthy of gnarly status — is its amazing noise reduction technology.  Check out the following demo video:

Is a tendency toward unabashed gearhead gnarlyness genetic?

Yes.

My brother Carlos is quoted in today’s New York Times in an article about making quiet computers:

Some customers are paying attention. When Carlos Rodriguez, a
community manager for a Web start-up, built out the PC for his home
theater, he turned to a Zalman CNPS9500, a $49 cooler for the C.P.U.
that comes with hundreds of thin copper fins and weighs almost a
quarter of a pound.

“It’s got huge heat-sink fins,” Mr.
Rodriguez said. “It’s got a 92-millimeter fan. I just can’t hear it at
all. It’s big, but it’s also kind of beautiful.”

Right on, bro! 

Having designed the thermal system for the original Intel Xeon processor, I’m really in to cooling fins.  They are beautiful.